GG Allin & The Murder Junkies: ‘Raw, Brutal, Rough and Bloody’ (’91 VHS)

Some will spit in your face, and others’ll argue till marrow’s exposed if you happen to disagree, that this – the ’91 Allin spectacle, “Raw, Brutal, Rough and Bloody,” is anything short of Allin’s pinnacle.  While I’ll go against the current and exclaim that it, in fact, ISN’T Allin’s greatest VHS effort- of his twenty-odd years at the helm, no chance. I’m not going to downplay its significance in solidifying GG’s chapter in history, though. Not to say it...
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“Põrgu (‘Hell’),” Rein Raamat, 1983

Rein Raamat‘s “Põrgu” (transl. Mod. Eng., ‘Hell’), prevails as more than a sentiment to (a) long gone technique of now old-school animation. It’s deep rooted idealisic messages, and brazen philosophic execution, present across much of Northern Europe and Russia during that period, served as a voice for many opressed people, firgurativley or otherwise. Põrgu was based on three engravings of late Estonian artist Edward Wiiralt, and named after one (presumably), they were ‘Caberet,’ ‘The Preacher’ and ‘Hell.’

Spearhead’s (UK) Invictus and Barghest in Interview

Posted 05 May 2012 in Interviews

* This is an archived post from May 28, 2011. Eat a Fuck: Hey, and cheers for taking the time to do the interview! Congratulations on the latest release, ‘Theomachia (The Doctrine of Ascension and Decline)’. Invictus: Thanks. EAF: Now, I’ve been listening to ‘Spearhead’ since the second release, ‘Decrowning the Irenarch’, and the album left a very memorable impression; however, listening to the new album, Theomachia, it seems the band’s improved upon this and the initial ‘Deathless Steel Command’ release, quite dramatically. Invictus: We would agree that ‘Theomachia’ is a step-up in terms of aggression and violence.  The album is more focused and crushing than anything we have previously released, and as a result all the other feedback...

GG Allin & The Murder Junkies: ‘Raw, Brutal, Rough and Bloody’ (’91 VHS)

Posted 03 May 2012 in EAF Cinema, Film

Some will spit in your face, and others’ll argue till marrow’s exposed if you happen to disagree, that this – the ’91 Allin spectacle, “Raw, Brutal, Rough and Bloody,” is anything short of Allin’s pinnacle.  While I’ll go against the current and exclaim that it, in fact, ISN’T Allin’s greatest VHS effort- of his twenty-odd years at the helm, no chance. I’m not going to downplay its significance in solidifying GG’s chapter in history, though. Not to say it wasn’t already set in stone. This Raw, Brutal, Rough and Bloody ’91 performance from Allin and the Junkies places above the other commercialised GG Allin & the Murder Junkies releases, if not by much. It’s quite honestly uncomparable to Allin’s...

GG Allin & The Murder Junkies, (‘Live and Pissed’ Bonus Material)

Posted 04 Mar 2012 in EAF Cinema, Film

13 May, 1993

“Põrgu (‘Hell’),” Rein Raamat, 1983

Posted 04 Mar 2012 in EAF Cinema, Film
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Rein Raamat‘s “Põrgu” (transl. Mod. Eng., ‘Hell’), prevails as more than a sentiment to (a) long gone technique of now old-school animation. It’s deep rooted idealisic messages, and brazen philosophic execution, present across much of Northern Europe and Russia during that period, served as a voice for many opressed people, firgurativley or otherwise. Põrgu was based on three engravings of late Estonian artist Edward Wiiralt, and named after one (presumably), they were ‘Caberet,’ ‘The Preacher’ and ‘Hell.’

“Linn, (‘The City’),” Rein Raamat, 1988

Posted 04 Mar 2012 in EAF Cinema, Film

Soviet Short (from present Estonia) reveals the horrors of the urbanized city … What does grow if its inhabitants, the people who live there, is opposed to this growth that blurs your daily life? What is it that breaks agglomerates and our freedom? - YouTube.com, grupogomezrojas

Black Tar Heroin: The Dark End of the Street

Posted 01 Mar 2012 in EAF Cinema, Film
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Ben: The Diary of a Heroin Addict

Posted 01 Mar 2012 in EAF Cinema, Film